The 41 Best Movies on Max Right Now

HBO Max is now Max, but don’t fret — the movies you loved to watch on HBO Max all survived the transition. The new streaming service combines what was on HBO Max and Discovery+ into one giant streamer, but it maintains the stellar library of films that made HBO Max a favorite of cinephiles. And if you’re trying to figure out what to watch on Max, you’ve come to the right place.

Below, we’ve assembled a list of the best movies available to stream on Max right now, from comedies to blockbusters to rom-coms to Oscar-winning dramas and beyond. Since first launching in 2020, HBO Max quickly solidified itself as lowkey one of the best streaming services around, with a robust library of some genuinely great movies past and present to choose from. It now has a different name, but it’s a true bounty of choice with plenty of older films alongside bona fide new releases.

Take a look at our curated list of the best movies on Max below. This list will be updated weekly with new titles, so be sure to check back often.


Helen Hunt and Bill Paxton in "Twister"
Helen Hunt and Bill Paxton in “Twister” (CREDIT: Warner Bros.)

Prepare for this summer’s “Twisters” by revisiting one of the best blockbusters of the ’90s, “Twister.” Bill Paxton is a big city weatherman who tracks down his soon-to-be-ex-wife (played by Helen Hunt) in Oklahoma to convince her to sign divorce papers. But the reunion is cut short when an outbreak of tornadoes hits and Hunt’s character — a storm chaster — is determined to test out potentially life-saving technology on these tornadoes. The incredible ensemble cast includes Philip Seymour Hoffman, Cary Elwes, Alan Ruck and “Tar” filmmaker Todd Field.

Lady Bird


Coming-of-age movies are a dime a dozen, but “Lady Bird” stands among the best of the best. Writer-director Greta Gerwig’s 2017 film is a triumph of storytelling as it chronicles the journey of a smart high school senior (played by Saoirse Ronan) who struggles through various strained relationships as she prepares to go to college. Set in Sacramento, the film draws from Gerwig’s youth as it captures a wickedly relatable teen story that traverses the love, heartbreak, and loss that come with growing up. The movie scored five Oscar nominations, including Best Picture and Best Actress for Ronan.

The Devil Wears Prada

20th Century Studios

A feel-good movie if there ever was one, “The Devil Wears Prada” also boasts one of Meryl Streep’s most delicious performances. Set in the world of high fashion, Anne Hathaway stars as a young woman who lands a coveted job as an assistant to Miranda Priestly (Streep), a powerful fashion magazine editor with a knack for tearing people down. Emily Blunt co-stars as Hathaway’s jealous co-worker in what would be a breakout role for the actress, and like so many feel-good movies it’s hard to quantify exactly why this film is so rewatchable, but it is.

Dune: Part Two

Zendaya and Rebecca Ferguson in “Dune: Part Two” (Warner Bros. Pictures)

One of the best sci-fi sequels ever made, “Dune: Part Two” adapts the second half of Frank Herbert’s novel with the same creative team (and cast) back from the first “Dune.” That includes visionary director Denis Villeneuve who steers the story of an anti-hero’s rise as Timothee Chalamet’s Paul Atreides is painted as a complex figure whose quest for revenge and power takes him down a dangerous path. Austin Butler and Florence Bugh are brilliant additions to the ensemble, Zendaya gets a chance to really shine and Rebecca Ferguson is perfectly witchy as Chalamet’s mother who aims to spread the gospel that her son is a true messiah. It’s also thrilling as heck, with truly stunning sci-fi action throughout.

The Other Guys

"The Other Guys" (Columbia Pictures, Sony Pictures Releasing)
“The Other Guys” (Columbia Pictures, Sony Pictures Releasing)

Before Adam McKay started directing more serious fare like “The Big Short” and “Don’t Look Up,” he perfected a specific kind of comedy movie, largely with Will Ferrell. The 2010 film “The Other Guys” feels like a bridge between McKay’s sillier work and his more socially conscious films, as it follows a pair of cops working in the background (played by Ferrell and Mark Wahlberg) who begin to uncover an embezzlement conspiracy involving the CEO of a major company. There’s plenty of material taking aim at corporate America, but there’s also Will Ferrell singing a song called “Pimps Don’t Cry.”


"Zola" (Photo credit: A24)
“Zola” (Photo credit: A24)

“Zola” is a wildly entertaining, provocative and thrilling based on a viral Twitter thread. The film stars Taylour Paige as a waitress and part-time stripper in Detroit who gets talked into traveling with a woman she just met (played by Riley Keough) on a road trip to Tampa, Florida to make a lot of money. The trip and true intentions of the woman are the focus of the film, which vacillates between hilarious, shocking and surprisingly emotional. Bonus points to Nicholas Hoult as a wonderful himbo.

The Harry Potter Franchise

Warner Bros.

All eight films in the “Harry Potter” franchise are currently streaming on HBO Max, making for a fulfilling binge-viewing if you so desire. The eight-part series still stands as one of the best and most complete film franchises of all time, as it charts the adventures of a boy wizard from his very beginnings to his final showdown with the evil Lord Voldemort. What makes “Harry Potter” so brilliant is the films evolve and mature along with the characters, so while the first few films are bright and cheery – just like their young protagonists – the latter films are dark and complex, reflecting the characters being forced into adulthood.

The Social Network

Sony Pictures

Quite simply one of the best films of the 21st century, David Fincher’s “The Social Network” feels more relevant each and every day. The film chronicles the origins of Facebook through the eyes of Mark Zuckerberg (Jesse Eisenberg) and his college friend Eduardo Saverin (Andrew Garfield), covering the ups and downs of those early years and the Machiavellian maneuvering that saw Eduardo shoved out of the company he helped create. This is a tremendously entertaining and biting film that never fails to get old, boasting an Oscar-winning screenplay by Aaron Sorkin and an Oscar-winning score by Trent Reznor and Atticus Ross.

The Green Knight

The Green Knight - Dev Patel
Dev Patel in “The Green Knight” (A24)

A wonderfully weird and wild fantasy tale, you’ll be amazed “The Green Knight” got made once the credits roll – until you see the A24 logo, that is. Of course A24 let “Pete’s Dragon” and “The Old Man and the Gun” filmmaker David Lowery go nuts with an adaptation of a 14th century poem. And of course the result is terrifying, mystifying and sexy all at once. Dev Patel plays Gawain, a man who sets out on a quest to face the Green Knight owing to a challenge set to him one year before. This film has mermaids, tree men and Sean Harris as King Arthur. Get thee to “The Green Knight!”

Forgetting Sarah Marshall

Universal Pictures

If you’re in the mood for a romantic comedy with a bit of an R-rated edge, check out “Forgetting Sarah Marshall.” Jason Segel wrote and stars in the film as a man who’s just been dumped by his TV star girlfriend (played by Kristen Bell) and decides to go to Hawaii to get away… only to run into her and her new rock star boyfriend (played by Russell Brand) staying at the same hotel. Produced by Judd Apatow, the film is a swell mix of raunchy humor and genuine heart, and also stars Mila Kunis and Jonah Hill.



Winner of four Oscars including Best Picture, Best Director and Best Original Screenplay, 2019’s “Parasite” is a masterful portrait of class in the packaging of a white-knuckle thriller. Written and directed by Bong Joon-ho, the film follows a poor family in Seoul who do what they need to get by. When their eldest son gets a job tutoring the daughter of a wealthy family, they begin to infiltrate the rich folks – inside their opulent estate – one by one under the guise of a chauffer, housekeeper and “art therapist.” It’s a rich, darkly funny and tragic chronicle of the myth of class mobility.

A Ghost Story


If existential dread is your bag, “A Ghost Story” is one of the more unique entries in the “ghost movie” genre in the last decade. This original indie from writer/director David Lowery stars Casey Affleck as a man who dies and becomes a ghost, destined to haunt the small Texas home he shared with his wife for all time. It’s a decidedly lo-fi affair — Affleck and other ghost characters appear wearing sheets with their eye holes cut out, and Lowery presents the film in 1:3 aspect ratio. But it’s also a tremendously moving piece of work that builds to a climax that packs an emotional wallop.


Warner Bros. Pictures

The biggest film of the year is now streaming on Max. “Barbie” is an impossibly good blockbuster. It has the care, wit and charm you’d expect from a Greta Gerwig joint, but the scale only possible with the kind of budget provided to certain IP. Margot Robbie is impeccable as she traces a journey of awareness for the titular doll, especially as it relates to Barbie’s place in the world as a woman. And Ryan Gosling once again proves he’s quietly the best comedic actor working today with his turn as himbo Ken. This movie is a dream.



Ring in the impending spring with “Midsommar,” one of the brightest and most colorful horror movies ever made. Ari Aster’s 2019 film that became an A24 favorite stars Florence Pugh as a young woman grieving the death of her sister and parents who invites herself on a trip to a midsummer festival at a commune with her boyfriend and his friends. But what starts as a curious and lovely trip into a tight-knit community soon turns into a nightmare as the rituals planned for this particular festival aren’t all fun and games. Pugh is incredible and Aster proves to be a master at tone as he keeps a visually restrained approach that makes the horrors all the more horrifying.

Mad Max: Fury Road

Warner Bros.

Prepare for the prequel “Furiosa” by catching “Mad Max: Fury Road.” You don’t have to be familiar with the “Mad Max” franchise in order to appreciate the pulse-pounding at the story of this film, which finds captive Max (played by Tom Hardy) hopping aboard an oil tanker driven by Furiosa (Charlize Theron) who is absconding from Immortan Joe’s Citadel with his “wives” in tow. A chase ensues, and indeed the entirety of “Mad Max: Fury Road” is one car chase from start to finish, but captured in jaw-dropping form by Miller, who takes a meticulous approach to the action. But on top of the theatrics, the film is also a meaty feminist diatribe that leaves you with much to chew on after you’ve finished your popcorn.

The Informant!

The Informant!
Warner Bros.

Whether it’s “Ocean’s Eleven,” “Magic Mike” or “Logan Lucky,” filmmaker Steven Soderbergh has a very specific, very hilarious, very dry sense of humor that’s like a breath of fresh air. This is certainly true of Soderbergh’s 2009 film The Informant!, one of his absolute best. The film stars a beefed-up Matt Damon as Mark Whitacre, a rising star at a food processing corporation in the 1990s who decided to turn whistleblower — except he’s very, very bad at it. “The Informant!” is based on true events, but Mark is played as such a buffoon and his increasingly strange behavior is chronicled in hilarious fashion by Soderbergh. Damon gives one of his most exciting performances, and the film also offers up one of the best examples of narration ever.

The Skeleton Twins

Roadside Attractions

Bill Hader has said that it was this Sundance hit that sparked HBO to want to work with the “SNL” alum on what would become his hit series “Barry.” In “The Skeleton Twins,” Hader plays a man who, after attempting suicide, is reunited with his twin sister (played by Kristen Wiig) in their hometown. The somewhat estranged siblings discover their lives have more in common than they thought, and Hader and Wiig both deliver tremendous performances that balance comedy with drama.

Avatar: The Way of Water

Avatar The Way of Water

Over a decade in the making, James Cameron’s “Avatar” sequel was well worth the wait. The three-hour “Avatar: The Way of Water” is a truly immersive follow-up to Cameron’s Oscar-winning 2009 film that pushes the groundbreaking technology even further, all in service of storytelling. Cameron is the king of big emotions and that’s true here, as “Avatar 2” resembles his gargantuan “Titanic” in more ways than one — including a rip-roaring third act that never lets up.


Frances McDormand in the original “Fargo” movie (Gramercy)

One of the best movies ever made, “Fargo” holds up tremendously well. The 1996 Oscar winner is written and directed by The Coen Brothers and stars Frances McDormand as Marge Gunderson, a pregnant police chief in Minnesota who’s investigation into a dead body threatens to unravel a conspiracy and kidnapping. Supporting turns by William H. Macy, Steve Buscemi and Peter Stormare are all-timers, and the score by Carter Burwell is one of the best ever.

Good Will Hunting


The film that launched Matt Damon and Ben Affleck onto the world’s stage – and the Oscars stage – remains a moving, artful drama over two decades later. In “Good Will Hunting,” Damon stars as a janitor at MIT who solves an unsolvable problem on a chalkboard, which puts him on the radar of a professor (played by Stellan Skarsgard) who subsequently takes him under his wing. But after a fight puts Will in front of a judge, he’s ordered to therapy sessions with a mild-mannered therapist who happens to be an old friend of the professor’s. Robin Williams gives an Oscar-winning turn as the therapist, while the ensemble is rounded out by Minnie Driver, Ben Affleck, Casey Affleck and Cole Hauser.

Southside With You


This little-seen indie is a remarkable take on the biopic, as it pulls back the curtain on the lives of Barack Obama and Michelle Obama by imagining a single day in their lives in 1989, when a meeting to discuss community organizing turns into a date. Parker Sawyers plays the former president while Tika Sumpter plays the former first lady, and Richard Tanne writes and directs this engaging drama that takes inspiration from Richard Linklater’s “Before” trilogy.

All That Breathes

all that breathes

You can watch one of the documentaries up for this year’s Best Documentary Feature Oscar on HBO Max this month, and it’s a great one. “All That Breathes” follows two brothers living in New Delhi who capture and treat birds that are dropping from the sky due to the increasing pollution. What really makes this doc soar, though, is director Shaunauk Sen’s cinematic approach to the film. Long takes, slow pans and evocative cinematography capture life in New Delhi in a transfixing way, making the emotional twists and turns all the more impactful.

Ex Machina

Ex Machina
Alicia Vikander in “Ex Machina” (A24)

A heady sci-fi two-hander with an iconic dance break from Oscar Isaac, 2014’s “Ex Machina” contains multitudes. The film hails from writer/director Alex Garland, whose knack for telling smart (and thought-provoking) sci-fi stories ranges from “Annihilation” to “Devs.” In “Ex Machina,” Isaac plays an enigmatic billionaire who summons a programmer (played by Domhnall Gleeson) to his remote compound to assess whether his A.I. creation (played by Alicia Vikander). Philosophical conversations are interspersed with feelings of dread and horror, as Garland masterfully weaves a tale about what it means to be human.

Batman Returns

Batman Returns
Warner Bros.

Tim Burton’s 1992 sequel remains one of the boldest, most interesting and sexiest Batman movies ever made – and it holds up tremendously well. “Batman Returns” is the superior follow-up to Burton’s 1989 hit, with Michael Keaton reprising his role as Bruce Wayne/Batman. Michelle Pfeiffer is phenomenal as Selina Kyle/Catwoman, with the character serving as a tempting mirror of Bruce Wayne’s own dichotomy — a more violent path towards vigilantism and revenge. There’s also Danny DeVito’s snarling Penguin, and perhaps most terrifying of all Christopher Walken’s soulless businessman Max Schreck. With a Christmas setting and Burton pushing the Gothic aesthetics to the extreme, this is one of the best Batman movies ever made.

Under the Skin

Under the Skin

If you’re an adventurous sci-fi fan, “Under the Skin” is a must-see. This singular, unnerving film from director Jonathan Glazer stars Scarlett Johansson as an alien woman who preys on men in Scotland. But instead of high-flying theatrics, CGI or predictable plot structure, “Under the Skin” surprises at every turn. Johansson’s performance is predatory and elegant all at once, and the way Glazer captures her character’s kills will keep you up at night. Add in a transfixing score by composer Mica Levi, and this one will have you under its spell.

The Batman

Warner Bros.

Putting a new spin on a character like Batman is incredibly difficult, but director Matt Reeves and star Robert Pattinson accomplish this and much more in the 2022 reboot “The Batman.” The film picks up in Bruce Wayne’s second year of prowling the streets as the caped crusader, and finds him roped into an investigation into a series of killings committed by The Riddler (Paul Dano). Reeves draws from films like “Zodiac” and “All the President’s Men” to result in a process-driven (and wildly compelling) crime thriller that packs some of the most striking cinematography in the character’s history thanks to Oscar-winner Greig Fraser. And that score by Michael Giacchino is a new classic. At three hours in length this one’s quite long, but it’s the detective-driven Batman story fans have long been waiting for.


Dune - Timothee Chalamet
Warner Bros.

Director Denis Villeneuve’s “Dune” is the kind of prestige, epic sci-fi adaptation that studios rarely make, and for that alone it’s worth seeking out. Based on the Frank Herbert novel of the same name, the film stars Timothee Chalamet as the young Paul Atreides, a man who accompanies his family House Atreides as they’re tasked with overseeing the mining of a valuable resource on the planet Arrakis. But once they arrive, they struggle against the planet’s native population and the nefarious House Harkonnen who wants its position back at all costs. This film, gorgeously crafted, is the first half of the “Dune” story with the second half adapted in the sequel “Dune: Part Two.”


Warner Bros.

You must be on the right wavelength to enjoy “Malignant,” but if you’re down for a horror movie that plays out with a knowing wink, this might become a new favorite. From “Aquaman” and “The Conjuring” director James Wan, the film stars Annabelle Wallis as a woman who begins to have visions of people being murdered, and when she starts digging into her past she discovers disturbing secrets – all while a killer is on the loose. This thing goes from creepy horror film to murder mystery to campy monster movie and never misses a beat, and the third act is a total blast.

Singin’ in the Rain


Quite simply one of the most joyous films ever made, there’s no way that “Singin’ in the Rain” will leave you in a bad mood. Released in 1952, the film is set against the backdrop of the transition from silent films to “talkies” and revolves around three Hollywood performers: Gene Kelly is Don Lockwood, Debbie Reynolds is Kathy Selden and Donald O’Connor is Cosmo Brown. In addition to telling a compelling Hollywood-set story, the film boasts some of the most mesmerizing musical numbers ever put to film, from the acrobatics of “Make ‘Em Laugh” to Kelly’s iconic “Singin’ in the Rain.” This is a perfect feel-good movie.

The Suicide Squad

Warner Bros.

While filmmaker James Gunn brought a lighter sensibility to his “Guardians of the Galaxy” films for Marvel Studios, his DC film “The Suicide Squad” harkens back to the darkness of his earlier work. Not quite a sequel and not quite a reboot, the 2021 film largely stands alone as it follows the anti-hero team of Task Force X – which includes Margot Robbie’s Harley Quinn and Idris Elba’s Bloodsport – as they’re assigned to sneak into a foreign country on a top secret mission. R-rating antics abound, but there’s a surprising humanity at the center of this gloriously weird and wild superhero movie.


If you’re a fan of the work of Steven Spielberg, then the documentary “Spielberg” is a must-watch. The film is anchored by an interview with Spielberg himself (and his family members) as it runs through his storied career, with the filmmaker offering candid insight along the way. If you’ve ever wondered how Spielberg took the blow of “1941” or why “Catch Me If You Can” was rooted in a family secret, those answers and more are found within.

Zack Snyder’s Justice League


At four hours in length, “Zack Snyder’s Justice League” is really for interested parties only, but for those with even a passing familiarity with “Man of Steel,” “Batman v. Superman” and “Wonder Woman,” this HBO Max exclusive marks a fascinating, rich and wildly different take on “Justice League” than the one that was released in theaters in 2017. Presented in six chapters with an epilogue, everyone gets more story this time around, and it’s for the better. Cyborg (Ray Fisher) provides some emotional heft; Superman (Henry Cavill) actually gets some depth; and Ben Affleck’s Batman gets more to do than half-heartedly pull together a Justice League. This film is director Zack Snyder’s unfiltered vision for better and for worse, and that includes some major teases for sequels that never came to fruition, plenty of violence and lots of slow motion. And honestly? It’s good.

No Sudden Move


Steven Soderbergh’s HBO Max original film “No Sudden Move” is a heck of a crime thriller. Set in 1954 Detroit, it stars Don Cheadle as a gangster short on cash who wants to leave town, and who reluctantly agrees to do a job that immediately goes sideways. He’s then on the run with a fellow gangster played by Benicio Del Toro, trying to figure out who he can trust and discovering who’s behind it all. The script by Ed Solomon brilliantly weaves a twist-filled story with thematic resonance, as the film uses historical context to add to the complexity of its plot and characters.

2001: A Space Odyssey


If you’re looking to watch a sci-fi classic that may or may not make your head hurt a little bit, try Stanley Kubrick’s masterful 1968 film “2001: A Space Odyssey.” The epic adventure takes place in the year 2001 (then the future) and follows a crew that’s sent to Jupiter after a mysterious monolith is discovered on Earth. Aboard the ship is a computer named HAL that wreaks havoc on the mission. This is one of the most visually stunning and perplexing films of all-time – a true work of art that’s open to various forms of interpretation by the time you reach the end of the journey.

The Lord of the Rings Trilogy

New Line Cinema
New Line Cinema

With the holiday season comes plenty of vacation time, and if you’re in for a really long binge-watch, “The Lord of the Rings” trilogy will do the trick. Peter Jackson’s epic trio of J.R.R. Tolkein adaptations remain some of the most accomplished achievements in the history of moviemaking, as this fantastical tale of a young hobbit who sets out to save the world as he knows it is crafted with ingenuity and passion to spare. Whether it’s your first or fifth time to Middle-earth, it’s a journey well worth taking. As a bonus, HBO Max offers both the theatrical versions and the richer extended versions available to stream.

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