As Catherine McDonald reports, investigators say an Oshawa man was found dead in the backseat of a car that had been abandoned for 10 days.
As Catherine McDonald reports, investigators say an Oshawa man was found dead in the backseat of a car that had been abandoned for 10 days.
Prime Minister Benjamin Netanyahu travelled to Saudi Arabia and met its crown prince, an Israeli official said on Monday, in what would be the first publicly confirmed visit there by an Israeli leader as the countries close ranks against Iran. Earlier, Israeli media said Netanyahu had secretly flown on Sunday to Neom, on the Red Sea, for talks with Crown Prince Mohammed bin Salman and U.S. Secretary of State Mike Pompeo. Reports of the meeting between the crown prince and Netanyahu were denied by Saudi Arabia's foreign minister, Prince Faisal bin Farhan Al Saud.
La palette de couleurs est vaste pour l’artiste Lucie Cormier (Lu), 44 ans, de Saint-Camille. Que ce soit sur des visages, des ventres bombés de femmes enceintes ou bien sur des toiles, le jeu des couleurs et des textures est pour elle un joyeux terrain de jeux ! Et elle aime partager son univers capable de métamorphoser le quotidien. « Déjà, toute petite, j’étais passionnée par le dessin. Je participais à des concours scolaires, et voilà qu’aujourd’hui je donne des cours dans les écoles. Auparavant, j’ai fait mille et une choses avant de revenir à ma passion pour les arts. Puis, en 2015, j’ai lancé NOUBA, mon entreprise de maquillage artistique. Faire la nouba signifie faire la fête ! Une fête particulièrement réussie. » L’an dernier, elle a réalisé une première exposition à Val-des-Sources intitulée En coulisse. « On y retrouve plusieurs clins d’œil à ma propre vie, précise-t-elle. Une autre exposition est prévue en 2021 à la Salle du Parvis, à Sherbrooke. La peinture intuitive fait partie de ma démarche. Sans idée préconçue, je jette mes tripes sur la toile et j’explore ! » L’art qui fait du bien ! L’impact des arts et de la couleur sur le bien-être et la santé, Lucie y croit dur comme fer. L’art est un fabuleux moyen d’égayer les bleus à l’âme. La diversité des ateliers qu’elle propose suggère fortement de l’art thérapie. « Le mot thérapeute est très normé au Québec. Je n’ai aucune prétention autre que celle de partager ma passion ! Si elle me fait du bien, forcément, elle en fait aussi à d’autres. Je reçois de beaux témoignages de parents qui voient les bénéfices sur leur enfant après une séance de dessin ! Prendre le temps d’observer la peinture qui s’épanche en jouant, ça détend ! » Ses ateliers s’offrent en formule individuelle, en duo, en couple, en famille, en groupe ou parents/enfants, etc. La pandémie fait mal. « Mes ateliers dans les écoles ont été annulés. Mes revenus provenaient principalement d’eux ainsi que de ma participation à divers festivals et événements. Je répète à mes enfants de ne pas s’endetter ! Il peut y avoir des pépins. J’ai la chance de ne pas avoir de grosses dépenses. Il n’empêche que depuis l’été dernier, j’ai recommencé à travailler à mi-temps pour un organisme communautaire. Autrement, j’en profite pour créer », conclut-elle. En ces temps fort déstabilisants, il faut bien continuer à voir le monde en couleurs ! lu-nouba.weebly.com facebook.com/LucieCormierArtisteMireille Fréjeau, Initiative de journalisme local, Journal L'Étincelle
LOS ANGELES — Bruce Swedien, a five-time Grammy-winning audio engineer who collaborated with Michael Jackson and Quincy Jones, has died. He was 86. His daughter, musician Roberta Swedien, said her father died Nov. 16 in Gainesville, Florida, after battling an illness and complications from surgery. The New York Times reported that he tested positive for the coronavirus but was asymptomatic. “He had a long life full of love, great music, big boats and a beautiful marriage,” Roberta Swedien posted on Facebook. “We will celebrate that life. He was loved by everyone.” Bruce Swedien had more than 65 years of music industry experience and was best known for his collaborations on Jackson’s hit albums “Thriller” and “Off the Wall.” He also had recording sessions with some of music's biggest names including Mick Jagger, Paul McCartney, Duke Ellington and Diana Ross. Swedien, the son of two musicians, landed a position at Universal Studios where he was mentored by legendary engineer, Bill Putnam. His career rose to new heights when he teamed up with Jones to mix the soundtrack “The Wiz” before both collaborated on Jackson’s 1979 debut album “Off the Wall.” Swedien worked as an engineer on three more albums for Jackson including “Thriller,” “Bad” and “Dangerous.” He won Grammys for those albums in the best engineered album, non-classical category then two more for Jones’ albums “Q’s Jook Joint” and “Back on the Block.” Jones posted on social media that he was “devastated” about the news of Swedien’s death, calling him a sonic genius. Swedien is survived by his wife, Bea, of 67 years and two daughters. He was preceded in death by his son. The Associated Press
MILAN — In a signal of rebirth, the Donizetti theatre in the northern Italian city of Bergamo, devastated by the coronavirus pandemic, reopened this weekend after three years of renovations.But the planned gala celebration had to be postponed, and new productions for an annual festival dedicated to the city's native composer Gaetano Donizetti had to be streamed online from an empty theatre.Festival musical director Riccardo Frizza said the autumn festival was envisioned as a life-affirming moment for the city and province, where 6,000 people died in a single month last spring. In the summer he conducted Donizett's Requiem, performed outside the city’s cemetery in tribute to the dead.“You have to know that in my festival orchestra and in the chorus there are people who lost two or three family members,’’ Frizza said. “We couldn’t do the festival without having done this tribute to those who aren’t with us anymore.”Plans for an audience had to be scrapped after the virus started to resurge in October, even if Bergamo itself is experiencing lighter contagion than the spring, when images of army trucks transporting the dead to other regions for cremation laid bare the pandemic's toll. The calendar was cut to three productions.All three weekend performances of Donizetti’s “Marino Faliero,” “Le Nozze in Villa” and “Belisario” are available online indefinitely for a subscription price of 59 euros ($70.) Frizza said the money is needed to help freelance singers and musicians recoup some income during a year in which classical music has been all but shutdown by the coronavirus.Italy shut all theatres in February, and there was a tentative reopening over the summer.While some other theatres are offering free online streaming of their archives, Frizza said few are offering new opera productions. The Donizetti theatre package includes extras like commentary, interviews and a virtual tour of the renovated theatre, its frescoed ceilings given a fresh vibrancy. Another Donizetti opera filmed last year, “L'Ange De Nisida," will be released on Wednesday.By comparison, Milan’s famed La Scala theatre will broadcast a Dec. 7 concert on state television, substituting its traditional gala season-opener.To ensure the health of the Donizetti Festival orchestra, singers and chorus, strict protocols were put into place, including weekly testing and separate rehearsals. During the weekend performances, the chorus, most of the orchestra and Frizza wore masks.At La Scala, more than 40 members of the chorus have tested positive for the virus, plus another 18 in the orchestra.Frizza, who suffered a mild bout with the virus during the March peak when Italy was in total lockdown, said no one in the festival contracted the virus during the rehearsals. That's critical to allowing the live performances to go ahead despite the partial lockdown in Lombardy.“No one can imagine the March lockdown without music, without books, without televised performances,” Frizza said. “The pandemic has taught those who hadn’t understood before, the importance of culture, arts and beauty in the world.”Colleen Barry, The Associated Press
Le confinement a contribué à une reconnaissance de l’importance de l’espace public comme lieu de rassemblement et d’équipement essentiel à la satisfaction des besoins de la population.
JERUSALEM — Israeli media reported Monday that Prime Minister Benjamin Netanyahu flew to Saudi Arabia for a clandestine meeting with Crown Prince Mohammed bin Salman, which would mark the first known encounter between senior Israeli and Saudi officials.The reported meeting was the latest move by the Trump Administration to promote normalized ties between Israel and the broader Arab world and reflected the shared concern of all three nations about Iran.The Israeli news site Walla, followed quickly by other Hebrew-language media, cited an unnamed Israeli official as saying that Netanyahu and Yossi Cohen, head of Israel's Mossad spy agency, flew to the Saudi city of Neom on Sunday, where they met with the crown prince. The prince was there for talks with visiting U.S. Secretary of State Mike Pompeo.People travelling with Pompeo declined comment. Netanyahu, in a meeting with his Likud Party, also declined to explicitly confirm the visit.“I have not addressed such things for years and I will not start with that now. For years I have spared no effort to strengthen Israel and expand the circle of peace,” he said.The Saudi foreign minister, Prince Faisal bin Farhan, denied on Twitter that the meeting took place.“No such meeting occurred. The only officials present were American and Saudi,” he wrote. He did not elaborate.The flight-tracking website FlightRadar24.com showed a Gulfstream IV private jet took off from Tel Aviv on Sunday night and flew south along the edge of Egypt's Sinai Peninsula before turning toward Neom and landing. The flight took off from Neom over three hours later and followed the same route back to Tel Aviv.Pompeo, who was in Israel last week, travelled with a small group of American reporters on his trip throughout the Mideast, but left them at the Neom airport when he went into his visit with the crown prince.While Bahrain, Sudan and the United Arab Emirates have reached deals under the Trump administration to normalize ties with Israel, Saudi Arabia so far has remained out of reach. The Trump administration, as well as Netanyahu, would love to add the Saudis to that list before it leaves office in January. In Sudan, a military official said an Israeli delegation was in the country on Monday to discuss the normalization efforts. He spoke on condition of anonymity because he was not authorized to discuss the visit with the media.King Salman long has supported the Palestinians in their effort to secure an independent state as a condition for recognizing Israel. However, analysts and insiders suggest his 35-year-old son, Crown Prince Mohammed bin Salman, likely is more open to the idea of normalizing relations without major progress in the moribund peace process.Israel and Saudi Arabia have a shared interest in countering archrival Iran, and they have welcomed the Trump administration's pressure campaign on the Iranians, which included withdrawing from the international nuclear deal with Iran and imposing tough economic sanctions on the Tehran government.The reported meeting puts even more pressure on Iran ahead of an incoming Biden administration that has signalled a potential willingness to return to the 2015 nuclear deal.“I think there's a message to Iran. Look, there's a front against you. There's two months to go to the new administration. Beware. We are on the same page,” said Yoel Guzansky, a senior fellow at the Institute for National Security Studies, a prestigious Israeli think-tank .In an apparent message to President-elect Joe Biden, Netanyahu said in a speech Sunday evening, shortly before the reported trip to Saudi Arabia: “We must not return to the previous nuclear deal."In the same speech, Netanyahu also praised “trailblazing Arab leaders who understand the benefits of peace" and predicted “we will see other states that widen the circle of peace.”In another possible reference to the Saudi meeting, a Netanyahu aide, Topaz Luk, accused Netanyahu's rival and coalition partner, Defence Minister Benny Gantz, of “playing politics at the same time that the prime minister is making peace.” Gantz on Sunday launched an investigation into Israel's purchase of German submarines — a scandal that has turned several close Netanyahu confidants into criminal suspects. Netanyahu himself is not a suspect.The reported visit Sunday night to Neom, still a largely undeveloped desert region alongside the north end of the Red Sea, also reflected Prince Mohammed's ambitions.It brought two world leaders to Neom, which he hopes will become a futuristic, skyline-studded Saudi version of Dubai that will offer the kingdom jobs and cement a future beyond its vast crude oil reserves. It also would reframe a rule so far colored by the killing of Washington Post columnist Jamal Khashoggi and the kingdom’s grinding war in Yemen.It was unclear where the three men met, though the Saudi royal family has massive mansions along the turquoise waters of the Red Sea, with a major golf course.Netanyahu has long signalled back-channel relations with the Saudis, though the nations have never officially confirmed a meeting between their leaders. But Saudi Arabia appears to have given its blessing to the decisions of its Gulf neighbours, the UAE and Bahrain, to establish ties with Israel.The kingdom approved the use of Saudi airspace for Israeli flights to the UAE. Bahrain normalizing ties also suggest at least a Saudi acquiescence to the idea, as the island kingdom relies on Riyadh.___Associated Press writers Josef Federman in Jerusalem, Jon Gambrell in Dubai, United Arab Emirates, and Samy Magdy in Cairo contributed.Ilan Ben Zion, The Associated Press
Don’t be fooled into thinking this is a gorgeous sunset. It is actually light pollution from Leamington, Ontario, Canada on November 22nd, 2020. How crazy is that?!
In May, the City of Mississauga gnashed its teeth. At the time, it was knee-deep in the first wave of the COVID-19 pandemic. A number of long-term care homes in the city were in outbreak, with dozens of deaths recorded. Business owners were also hurting, their shuttered bars, restaurants and gyms collecting dust and debt. Inside City Hall, losses were mounting daily. Reluctantly, the City had been forced to let roughly 2,000 staff, mostly part-time, seasonal employees, go from its empty recreation facilities. Help eventually offered by the federal and provincial governments was still months away from materializing. Quietly, while the world was distracted, the Doug Ford PC government was forging ahead with its plans to seismically shift how developers pay for growth. Under the area of development subsidies known as a Community Benefits Charge (CBC), the Province was toying with new rules for planning. These fees are often paid by builders to create enhanced features such as green spaces or other amenities that are built using additional money charged to developers in exchange for project changes that generally create more profit, such as adding additional floors to a condo building. Changes were introduced as one of many initiatives in Bill 108 (More Homes, More Choice) — legislation that was almost universally decried around municipal council tables when it received royal assent in 2019. The Province allowed consultation in May (when Mississauga was preoccupied with its pandemic response) which revolved around parks. Just how much greenspace developers needed to provide for even more new residents that would eventually be housed in expanded projects, was a question that created tension. According to staff reports in Brampton and Mississauga at the time, the proposed changes meant developers would pay less to cities, for the features they have for decades been expected to provide when building large residential projects. Municipalities, under the PC government’s plan, would be worse off, while developers would be further ahead. “At a time when we are grappling with the unprecedented financial impacts of COVID-19, the proposed Community Benefits Charge will leave Council [with] even more difficult decisions,” then City Manager, Janice Baker, told Mississauga Council. Under the current rules, developers have to offer a certain amount of parkland to cities and, if they want to reduce that amount, they have to pay a fee. The CBC proposals limited parkland related contributions to 10 percent of the land’s value for high-rise buildings, meaning the projects with the most residents would offer the least public space per capita. “The proposed CBC weakens the link between population growth and the increased need for services,” a Mississauga staff report earlier in the year stated. In Mississauga, under the current system, high and medium-density developments contribute 74 percent of parkland (either physically or in payments). The CBC proposals meant dense developments would cough up just 31 percent of the funding for the city’s new greenspace, with non-residential and low-density homes (which already have backyards) making up the difference. It seemed illogical. After a passionate response from Mississauga and other cities angered by the prospect of a revenue hit while they are reeling financially because of the pandemic, the PC government has rolled back its proposed changes. Under Bill 197 (COVID-19 Economic Recovery Act) Queen’s Park rapidly back-peddled, returning parkland contributions by developers to the pre-pandemic levels. “The new community benefits charge authority provides local governments with the flexibility to collect funds for any growth-related services required due to higher density residential development, as long as those costs are not being recovered under other tools,” a spokesperson for the Ministry of Municipalities and Housing explained to The Pointer. “A community benefits charge may enable municipalities to recover the capital costs of any service, as long as it is needed to support new growth … the types of services funded through community benefits charges could include parks, recreation centres, affordable housing, child care, cycling infrastructure and others.” “We were very pleased the Province listened to the feedback from municipalities and rolled back many of the proposed Bill 108 provisions around the Community Benefits Charge,” Jason Bevan, director, city planning strategies, told The Pointer. “We look forward to seeing the final CBC regulations on the percentage of land value cap.” The Association of Municipalities of Ontario (AMO) which advocates for the lowest tier of government, said it was “pleased to see the addition of eligible services for development charge recovery being restored” alongside “maintaining existing parkland provisions and the flexibility of CBCs as a tool to recover additional costs”. After a year of consternation for cities, the Province has largely walked back its plans for the CBC. The legislation, initially blasted as a developer freebie, has gradually been softened. Originally, the new legislative changes impacted a range of community features that municipalities have to provide for residents under the development proposals submitted by builders after assembling land for growth. Municipalities were concerned they would have to stretch the funds from the charge to cover features such as libraries, community centres, parks and playgrounds. Responding to feedback, the Province changed tack and protected a range of community features that will continue to be covered by development charges. Specific infrastructure, including libraries and other “soft” services, are covered under the Development Charges Act. Developers will continue to pay for the costs associated with growth. But, realistically, these charges are generally covered by buyers who pay for them through increased unit costs that developers charge when setting their sale prices. It seems much more fair to have the people in a particular new development pay for the surrounding features and services they will enjoy, rather than having property tax payers in general cover the expenses when municipalities have to fund them. At the beginning of October, further regulations were released which made the CBC picture a little clearer still. While the charge is designed to capture certain soft community services not always covered by traditional development charges, there are several areas explicitly excluded. Long-term care, universities, clubhouses or retirement homes cannot be funded using the latest form of CBCs. The new CBC mechanism, brought in to codify an element of development which previously operated as more of a negotiation, comes with strict rules. Cities are tasked, over the next two years, with creating a CBC strategy and bylaw to estimate the amount and type of development where the charge may be used. The strategy should also estimate the increased need for facilities and services as a direct result of developments and the associated growth-related costs. It must acknowledge any grants or subsidies made to help with such projects. A potential sticking point for municipal councils is a cap on the CBC, meaning the charge cannot exceed 4 percent of the value of the lands being developed. If developers disagree with the land valuation, they can dispute it. The likely outcome will see buyers cover any increased costs, as developers across the province won’t have to worry about unfair pricing competition because all builders will have to raise prices. In the end, it will be mostly young buyers who will absorb the additional financial burden for creating enhanced community features they will benefit from. Moving forward, municipalities will also produce an annual report showing how much money is in their CBC and parkland reserves. The reports will detail where money is spent and how projects not using CBC charges were funded. The concept behind the strategy and bylaw is to make costs more predictable for developers and reduce negotiations between individual builders and local politicians. Exactly what community features Mississauga will prioritize under the new CBC system will become clearer over the next two years, as the City draws together its bylaw for the charge. These community standards will best serve the public if they are directly involved and make clear what they want in their neighbourhoods. In essence, as long as cities don’t double charge through other parkland contributions or development charges, they can hit developers with a bill for any growth costs, other than the small list of features that are exempt. The amount is capped under the 4 percent limit, based on the land value. But it still gives high-growth municipalities such as Mississauga and Brampton welcome breathing room as they no longer have to worry about paying for a range of new community features while struggling with the financial damage caused by the pandemic. Smart decision making around the bylaw, with some elements still emerging, should help ensure that as new developments keep springing up across the city, growth will pay for growth in Mississauga. Email: email@example.com Twitter: @isaaccallan Tel: 647 561-4879 COVID-19 is impacting all Canadians. At a time when vital public information is needed by everyone, The Pointer has taken down our paywall on all stories relating to the pandemic and those of public interest to ensure every resident of Brampton and Mississauga has access to the facts. For those who are able, we encourage you to consider a subscription. This will help us report on important public interest issues the community needs to know about now more than ever. You can register for a 30-day free trial HERE. Thereafter, The Pointer will charge $10 a month and you can cancel any time right on the website. Thank you.Isaac Callan, Local Journalism Initiative Reporter, The Pointer
What should deafness sound like on film? For his debut feature “ Sound of Metal,” filmmaker Darius Marder wanted to create a sound experience that audiences had never heard before. The idea was to simulate the journey of his lead character, Ruben, a punk metal drummer with sudden severe hearing loss and eventually deafness. It wouldn’t be silence, but something more complex and nuanced. And it would take years of prep, experimental methods on set and 23 weeks of sound work to accomplish. “Sound of Metal,” now playing in limited release before it debuts on Amazon Prime Video on Dec. 4, not only delivers on that lofty goal but also features one of the best performances of the year from actor Riz Ahmed who was tasked with the challenge of bringing Ruben to life. Marder, who co-wrote “The Place Beyond the Pines” had spent years trying to “scare the crap out of” actors with the prospect of playing Ruben. It was important, too, that the actor be hearing since, he said Ruben starts out that way. Then he met Ahmed, the 37-year-old British actor of Pakistani decent known for the HBO miniseries “The Night Of,” for which he got an Emmy nomination, and films like “Nightcrawler,” “Rogue One” and “Venom,” and he knew he found the right actor for what he was asking. “He is a great talent and a great intellect, but I didn’t know what was behind that,” Marder said. “What I found was someone who was appropriately frightened, which is always a good sign, but also just intoxicatingly interested in being frightened and taking on that challenge.” Ahmed would have to really play the drums, learn American Sign Language (ASL) and essentially push himself to the limits playing this ex-heroin addict who with his hearing loss fears that he may lose everything: His livelihood, his girlfriend and bandmate (Olivia Cooke) and his identity. “We wanted to do something that was all in,” Ahmed said. “We just wanted to really connect to how overwhelming and invigorating and terrifying it can be to kind of throw yourself into the deep end of a creative endeavour.” To make matters even more complicated, Marder decided to shoot on 35mm film, which meant that takes would be limited. But even that was exciting for Ahmed. “I liked the idea of spending seven months learning the drums and sign language and then doing a four week shoot where you only get two takes of anything because we’re shooting on film,” Ahmed said. On set, Ahmed wore custom implants in his ears that emitted white noise and a high ringing to approximate tinnitus. He couldn’t even hear his own voice. On those days communicated with Marder on little bits of paper. In the final mix, a lot of the sounds you hear in the movie are, as Marder puts it, "the inside of Riz.” They recorded in his mouth, his throat and even his eyelids. For his part, Ahmed spent time with members of the deaf community in New York and got quite close with his sign instructor, who helped him navigate the new culture. He explained that as a late-deafened person, Ruben goes through stages where he thinks of his hearing loss as “a loss, a lack, a disability.” Later, during his stay in a sober, deaf community, he starts to realize it is a culture and a way of being, Ahmed said. Representation of disability in film is a complex topic and actors with disabilities continue to lobby for authentic portrayals. And just as Marder knew that he needed a hearing actor to embody Ruben’s journey, he also knew he wanted actors from deaf culture to populate the rehab facility, including the very significant part of Joe, the Vietnam veteran who runs the centre. Marder was encouraged to consider A-list actors, all of whom were hearing, for the meaty part, but he didn’t relent. “That was something I fought very hard for,” Marder said. “And it was a much harder fight than it should have been.” He ended up finding actor Paul Raci, a Vietnam veteran himself and a child of deaf adults. The film is also open captioned in English to make it more accessible for all audiences, except in scenes with ASL. “We have to experience what Ruben experiences,” Marder said. “He has to contend with being a minority and not being comfortable in a culture that isn’t his. And so do we as an audience.” Ahmed found it to be a transformative experience. “I really hope that when people watch the film, it kind of stays with them and maybe changes them a little bit as well,” he said. “It’s a film about reevaluating who you think you really are and realizing the things you think define us are not all we are.” —- Follow AP Film Writer Lindsey Bahr on Twitter: www.twitter.com/ldbahr Lindsey Bahr, The Associated Press
NEW YORK — One of the five teens wrongly imprisoned for the assault on a Central Park jogger has a memoir coming out in the spring.Grand Central Publishing announced Monday that it had acquired Yusef Salaam's “Better, Not Bitter: Living On Purpose in The Pursuit of Racial Justice.” The publisher is calling the book a “candid and poignant look at the life of an American citizen, born and raised in Harlem, New York who was accused and convicted by a flawed criminal injustice system designed to ensnare and decimate as many Black and Brown bodies as possible.”Salaam is one of the so-called Central Park Five, now also known as the Exonerated Five. The five Black and Latino teens were coerced into confessing to a rape they didn’t commit in 1989. All served prison time before being exonerated in 2002. They later received a multimillion-dollar settlement from New York City. Ken Burns made a documentary about them and Ava DuVernay directed a Netflix series.“One of the most powerful lessons I learned while being wrongfully incarcerated was that instead of going through something, I was going to grow through something," Salaam said in a statement. “Through ‘Better, Not Bitter,’ I hope to share these lessons with people around the world who – in these unprecedented times – are dealing with rage, anger and bitterness directed at a criminal system of injustice that has plagued our country for centuries.”Salaam, an activist and motivational speaker, recently published a young adult novel based on his experiences. “Punching the Air,” co-written by Ibi Zoboi, came out in September.The Associated Press
A Saskatoon woman who arranged a performance art piece across the globe has decided to share her story through a unique art exhibit in the city.It's called To Whom It May Concern and features a collection of photographs and letters which address the rise of domestic violence during COVID-19.The project was started by Natalie Feheregyhazi in Toronto a few years ago.Feheregyhazi dressed up in a wedding dress with a white mask covering her entire face. She would sit in various places in the city and write letters to be left where she was sitting.She was given the nickname 'Toronto's Masked Bride' as her identity remained anonymous.Feheregyhazi said the idea to do an art project about a bride had been in her mind for several years prior to the performance art piece but some experiences in 2015 and 2016 inspired the final project.She said one of the experiences happened after a brief conversation with a local artist, Daniel O'Shea, in a shop in Saskatoon."[He] showed me a painting he had done for a friend of his who had recently been murdered in a domestic violence situation," Feheregyhazi said.The woman in question was Beverly Littlecrow, a 36-year-old woman who the Crown prosecutor argued had been a victim of manslaughter at the hands of her spouse Gabriel Faucher in 2016.In 2018, Faucher was found not guilty of manslaughter in the death of Littlecrow as the judges could not rule out the possibility of Littlecrow's injuries having been accidental. The appeal of Faucher's acquittal was dismissed earlier this year."We talked about this painting and he ended up gifting it to me because he said he didn't know what to do with it," Feheregyhazi said. "He felt it was meant to go to me."I really feel like Beverly's spirit has been with this project since that moment."Leaving a dangerous relationshipFeheregyhazi said getting the painting coincided with her leaving a dangerous relationship after she had found out "all sorts of kind of terrifying things" about her partner who she had been with for eight years."It was a whole host of things that had happened kind of simultaneously and when it came to that summer and that spring, I didn't know how to process all of this," Feheregyhazi said. "And that's when all of the pieces kind of came together."She said she knew the bride in the project had to be masked, and had to be voiceless, because she didn't know how to express it otherwise.Feheregyhazi said she didn't want people to know who she was since the project involved her leaving notes around Toronto with real life stories, and she did not want the stories to be brought back to the people they involved.She described the letters she left around the city as love letters, as the experiences she was trying to express in the art piece had to do with abusers being loved by the people they abuse."That conflict, that love is really what keeps us kind of caught in these cycles and I mean it's complicated," Feheregyhazi said. "There are a lot of elements to it and sometimes it's fear and sometimes it's unfortunate conditioning but it's also love."She said she hoped that through writing in this uncensored and spontaneous manner it would bring to light the positive feelings often felt in abusive relationships which make it harder for victims to leave."One day and one moment you're remembering the beautiful anniversary you had or that time when it was snowing, like it currently is in Saskatoon, and you decided to cuddle up and watch five movies in a row and just be loving," Feheregyhazi said."Versus being assaulted, being yelled at, being sexually violated, those are the things that don't get addressed nearly often enough when we talk about domestic or intimate forms of violence."The performance art project took Feheregyhazi to many places including Europe and Africa. She said she met many people, including men and people with mental illnesses, who shared their stories with her."What strikes me is how deep our collective longing for kindness and connection and love is," She said. "Sometimes I didn't catch everything but they would come and identify with the vulnerability of the figure that was just there to kind of listen, it wasn't speaking it created the space for them to share."She said many people came up to her to share intimate and painful parts of their lived experiences with her and she just listened."There was kind of a silent agreement of trust [and] these stories are confessed and shared because no one knew who I was."Taking the mask offFeheregyhazi said the reason she now decided to take the mask off and attach her name to the project has to do with the COVID-19 pandemic."We're living in a situation where since the quarantine went into effect domestic violence has been on the rise," she said. "And this is all happening in very confined, restricted basis."People who are already isolated are even more isolated and have less easy access to help."She said the exhibit in Saskatoon, which runs until Nov. 29, touches on some young women who died in the spring and summer of this year due to alleged domestic violence.One of those women is Tina Tingley-McAleer who was killed in her home in Hillsborough, N.B., in May. Police arrested her partner, Calvin Andrew Lewis, and charged him with first-degree murder.Feheregyhazi said the exhibit also includes on Darian Hailey Henderson-Bellman, a 25-year-old woman from Brampton, Ont., who was allegedly shot to death by her boyfriend Darnell Reid in August.The last woman who is honoured in the art exhibit is Brittney Ann Meszaros. The 24-year-old Calgary woman was found dead in her home in April, and her common-law boyfriend, Alexander Moskaluk, was charged with manslaughter."I really hope [the exhibit] will bring to surface a reminder of who these people were like these aren't just statistics they're mothers, they're sisters, they're friends and they got caught in a situation that for some reason socially we still tolerate to some degree," Feheregyhazi said."I don't know why we mind our own business when we hear something going on or how we've been conditioned to kind of just accept that there's a certain level of violence that women and girls may encounter." The To Whom It May Concern art exhibit is in Saskatoon at 20th Street West at Avenue E and is free to view."I hope people will be moved to ask and demand that these kinds of violences come to an end once and for all."If you need help and are in immediate danger, call 911. To find assistance in your area, visit sheltersafe.ca or endingviolencecanada.org/getting-help. In Saskatchewan, pathssk.org has listings of available services across the province.
The vice president of an Island trucking company says it's doing everything it can to keep everyone safe while continuing to follow the changing rules for rotational workers. "As an industry, we're going to do what we kind of have to do to keep the community around us safe," Andy Keith with Seafood Express Transport told Island Morning's Laura Chapin. "It does pose some additional challenges for us, but if we have to do it, we have to do it."Currently, there are around 900 Islanders who are considered rotational workers — including truckers. For them, special guidelines and testing routines are expected to be followed. 'Unprecedented times for everybody'Recently, P.E.I.'s Chief Public Heath office put out a reminder of those rules after a rotational worker visited a number of stores before testing positive for COVID-19.It remains unclear if that rotational worker was a truck driver. But currently, commercial truck drivers who are residents of P.E.I. must be tested three times to be exempt from isolation. There is, however, an exception for those who are only in the province for a few days. The rules "come out quickly and they change quite often unfortunately so that's been a challenge," said Keith. For his drivers, Keith said questions about the guidelines have ranged from do they need to self-isolate from their families to can they go to a doctor's appointment when they're home."With the new rules changes now, its been a little more clear and there's a little more clarity in what they can and can't do," he said. "I think it's unprecedented times for everybody so we're all kind of rolling with the punches at this point."'They should be proud'According to Keith, some drivers have also taken this as an opportunity to increase their workload since the options to socialize during their days off are limited. "A lot of cases our drivers are here and their families are back in their home countries," he said. "They have that optimistic viewpoint to say, 'Well maybe I'll just keep working and work a little harder make a little extra money.'"And for others, Keith said he can understand how it might be tough being a rotational worker during a time where travel isn't recommended. "We're telling our drivers that they're providing an essential service," he said. "They're really the heroes of ... bringing food products to Islanders and to Atlantic Canadian and Canadians as a whole.""They should be proud of what they're doing."More from CBC P.E.I.
The Petit Noel art exhibit and sale features a variety of work by local and area painters, photographers, potters and artisans at the Callander Bay Heritage Museum & Alex Dufresne Gallery. “We have over 30 people participating and the show is a great snapshot of the various artistic talents we have here in Northeastern Ontario,” states a museum notice. There will not be an opening reception and numbers are restricted as per COVID-19 safety restrictions but visitors welcome Thursdays, Fridays, and Saturdays from 10 a.m. to 5 p.m. “Please wear your mask, respect social distancing, and do not visit if you are not feeling well.”Dave Dale, Local Journalism Initiative Reporter, BayToday.ca
NASHVILLE — For Grammy-winning international star Angelique Kidjo, her artistry and her activism inform each other because music has the power to connect beyond skin colour, language or countries.“Music has that absolutely powerful side to it that sometimes when I finish a concert, I’m like, ’Why can’t we just live like this?'” said the singer-songwriter from the West African country of Benin.That sentiment is something that Skip Marley, a third-generation musician and grandson of reggae icon Bob Marley, has grown up knowing as well.“We’re talking to the people, so it’s all colours, all religions,” said Marley. “Music is music. That’s the beauty of it. It cuts through all of those barriers or borders.”These musicians are part of an online fundraising concert on Dec. 1 called Peace Through Music: A Global Event For Social Justice, to celebrate the 75th anniversary of the United Nations.The Facebook Live event will also feature performances by Annie Lennox, Becky G, Brandi Carlile and Mike McCready of Pearl Jam, Carlos Santana, Gary Clark Jr., Mavis Staples, Ringo Starr, Run The Jewels, Sheila E, Yo-Yo Ma and more. The event will raise money for the Playing for Change Foundation, the United Nations Population Fund, Sankofa, Silkroad and the Rock & Roll Hall of Fame Foundation.Kidjo, who is a UNICEF Goodwill Ambassador, is an outspoken advocate for women’s rights and education for young women in Africa through her Batonga Foundation. Kidjo has travelled the world to encourage young people to be leaders in their own communities because she says that is the leverage needed to address systematic issues of poverty and climate change.“We’ve created a world with billions of people suffering and a minority of people are living on top of them. And if we want to live in a world of peace, we have to take care of Mother Nature and at the same time take care to get people out of poverty,” said Kidjo, from her home in Paris.For the online concert, Kidjo teamed up remotely with cellist Yo-Yo Ma and Peter Gabriel to sing Gabriel's anti-apartheid anthem “Biko,” about a South African activist who was killed in detention in the 1970s. Kidjo said the song’s message directly connected to this year’s Black Lives Matter protests over police killings of Black men and women.“Racism is so linked to capitalism and we have failed to address that issue for so many, many, many years and centuries, I think from slavery all the way to today, that it becomes a cancer that is eating our societies,” said Kidjo.“Get Up, Stand Up,” a simple message that has become part of Bob Marley’s legacy to the world, was the obvious song choice for his grandson to sing for this online concert.“Wherever there is a fight, wherever there is oppression, wherever there is wrongdoing, there will always be that anthem,” said Marley, who performed with song with his mother Cedella Marley.It’s a spiritual experience to sing his grandfather’s songs, Marley said.“Those are the songs I first hear and the songs I first sing,” said Marley. “So when I’m singing it, I’m feeling my grandfather.”Kristin M. Hall, The Associated Press
PEERS Alliance in Charlottetown has received $2,100 from the Tegan and Sara Foundation for its work in the LGBTQ community. "That was a big moment for me, to get that notification that we've been awarded the funds," said Brittany Jakubiec, the executive director at PEERS Alliance. "I'm a little bit, like, excited that we get to put kinda their stamp on our project. That's just huge."PEERS Alliance is a charitable non-profit organization. It began as AIDS PEI and slowly evolved to offer programming and outreach for harm reduction for the LGBTQ community.This year, it is one of 13 organization across Canada to receive a Community Grant from the Tegan and Sara Foundation. Jakubiec said the plan is to use the money to keep the adult drop-in program running until June. "The adult drop-in is a low-barrier social group dedicated to fostering and growing 2SLGBTQ+ community in P.E.I.," said Jakubiec. (When using that term, Jakubiec means two-spirit, lesbian, gay, bisexual, trans, queer and/or questioning, with the plus representing other terms people may prefer to use for themselves.)"The drop-in program does help with the reduction of social isolation and an increase of feeling like you're connected to the community."'It's super important'Jakubiec said additional costs have come up this year due to the pandemic and the extra financial support is not only crucial to running the program but also ensuring it doesn't need to be cut early. "It's super important that the program is offered."For Islanders looking for supports, Jakubiec said PEERS Alliance can be reached by phone, email or on social media — contact information is posted on its website. And for those who do call, Jakubiec said extra precautions are taken — for example, asking if a message can be left on the caller's phone — to make sure people feel safe and supported. "We really try and just make sure that we're being inclusive and respectful of where people are in their journeys."More from CBC P.E.I.
TORONTO — Loblaw Companies Ltd. has signed a partnership deal with technology company Gatik to test autonomous delivery vehicles in Toronto starting in January.Under the multi-year agreement, Gatik will transport goods from an automated picking facility to retail locations across the Greater Toronto Area.The company will operate five vehicles for Loblaw up to seven days a week, 12 hours a day, on five routes with fixed pick-up and drop-off locations. Gatik will outfit the trucks with refrigeration units, lift gates and its autonomous self-driving software for urban, suburban and highway driving.All vehicles will have a safety driver as a co-pilot.The agreement follows a 10-month on-road pilot in Toronto, with one autonomous delivery vehicle.This report by The Canadian Press was first published Nov. 23, 2020.Companies in this story: (TSX:L)The Canadian Press
Saint-Tite – La MRC de Mékinac réagit au cri du cœur lancé dans nos pages par les relais de motoneiges qui craignent de ne pas traverser l'hiver si on leur permet seulement d'accueillir des clients pour les réchauffer, sans pouvoir ouvrir leurs salles à manger. Tous ont décrié l'impact des coûts fixes élevés comme le chauffage, la main-d'oeuvre ou le nettoyage des lieux pour expliquer les difficultés financières qu'ils anticipent. La MRC de Mékinac se dit sensible de la situation vécue par les relais de son territoire. «C’est une situation vraiment préoccupante pour notre milieu. L’industrie de la motoneige est un moteur économique très important pour notre MRC, tant au niveau des relais que des autres commerces autour. Les motoneigistes sortent souvent dans les sentiers avec le but de se rendre dans un relais, de consommer et de faire d’autres arrêts dans différents commerces. La fermeture des relais peut entrainer un ralentissement économique sur un volet beaucoup plus large» s'inquiète Nadia Moreau, directrice du service de développement économique de la MRC de Mékinac. Elle craint que l'impact financier des décisions gouvernementales ne vienne hypothéquer sérieusement le secteur jusqu'au printemps. «Nous sommes évidemment grandement conscients des enjeux de la propagation de la COVID-19. Nous tentons par tous les moyens de soutenir notre milieu pour passer à travers cette crise. Par contre, nous aimerons grandement que ce que nous pouvons favoriser localement puisse se faire chez nous. La possibilité de voir les habitués de notre région se déplacer vers une région aux conditions plus souples demeure inquiétante tant au niveau sanitaire qu’économique» ajoute Nadia Moreau. La MRC soutient que selon les commerçants, les chiffres d'affaires sont en péril de 75 à 90%.Marc-André Pelletier, Initiative de journalisme local, Le Nouvelliste
New Brunswick's four ski hills are busy making snow following growing interest in outdoor sports during the COVID-19 pandemic.Pass sales at Crabbe Mountain near Fredericton have increased 15 per cent over last year."General demand with equipment stores is high and people can't keep product on the shelf, so I think there's a big demand for outdoor space, winter activity," said general manager Jordan Cheney.Skiers can expect some changes to the overall experience, including physical distancing at lift lines and limited lodge access for warming up.While face coverings will be mandatory at most times, it's nothing new for skiers already accustomed to keeping their faces warm."We've all bundled up in the cold and worn goggles and face masks," Cheney said. "So with outdoor stuff, it should be very similar to what people have been used to."Early end to seasonThe last ski season came to an early end when the pandemic hit in mid-March. Crabbe Mountain lost about 15 days of operations after New Brunswick shut down all non-essential business to stop the spread of COVID-19.Cheney said the ski hill was still operating with picnic tables outdoors at the end."We were on track to have a record season, so it was unfortunate that it got cut short," he said. "But we were fortunate in that it was at the tail end of the season."With uncertainty around the COVID-19 pandemic, ski areas are rolling out refund and credit policies to assure season pass holders in the event of an unexpected shutdown due to the coronavirus.Mont Farlagne near Edmundston rolled out a guarantee for season pass holders.> "We were on track to have a record season, so it was unfortunate that it got cut short." \- Jordan Cheney, Crabbe Mountain If the Campbellton region moves into the red phase, Sugarloaf Provincial Park will offer prorated refunds based on ski days missed.Poley Mountain in Sussex will offer a prorated pass that will carry over into next season.At Crabbe Mountain, pass holders will have the choice between a prorated refund or credit toward next season.Bubble lifts, lessonsOther New Brunswick ski hills have created similar COVID-19 operational plans, focusing on physical distancing and preventing large gatherings in lines and lodges.Chairs will be loaded within bubbles, instead of loading four people per chair.Danielle Gagné, vice-president at Mont Farlagne, said masks will be required at all times, including on lifts. The one exception will be when going down the hill."When we have a bubble or a family, we go up like normal," she said.Gagné said two people from different bubbles can ride the lift together, provided they wear masks and sit at the opposite ends of the quad chair.At Sugarloaf and Crabbe Mountain, face coverings are recommended but not required while riding the lift. Poley requires them at all times, except when heading downhill.Ski hills are also reducing some group lessons to bubbles.Crabbe Mountain is allowing people to pre-purchase lift tickets online to cut back on lines.Skiers will be able to scan a code on their phones that can be printed outdoors when they arrive. Reduced lodge accessAll four mountains are limiting the amount of space indoors for skiers and snowboarders to get ready and warm up."Space will be made available in our lodge or in our buildings for booting up, but we're just asking that folks don't store their equipment," Cheney said.Crabbe Mountain has purchased a 2,600 square-foot greenhouse with picnic tables for skiers to warm up, since space indoors will be mostly occupied by the ski school and seating for the restaurant.At Mont Farlagne, Gagné said dining will still be offered at seated tables limited to groups of four people.With temperatures dipping below freezing, snowmaking is underway as ski hills prepare to open in early December.Sugarloaf and Crabbe Mountain are both aiming to open for the first full weekend of December.Poley Mountain and Mont Farlagne plan to open a week later on Dec. 11.
A busy west-end St. John's street was blocked off for three hours Monday as police searched for a suspect in a case involving assault with a weapon.About a dozen uniformed officers in six marked and one unmarked squad cars descended upon a very familiar section of Empire Avenue, in the vicinity a house that is well known to police.Officers with rifles and a police dog could be seen near 374 Empire Ave. The Royal Newfoundland Constabulary advised residents in the immediate area to stay indoors.According to a tweet from the police force, a house in the area was "contained." Traffic was closed off on Empire Avenue between Ropewalk Lane and Cordage Place, a small block of about 10 houses.Access to the street was restricted from just after 10 a.m. until around 1 p.m.RNC Const. James Cadigan confirmed the house in question is 374 Empire Ave., a house visited regularly by officers. It was the site of a stabbing in July 2019, an overdose death in 2017 and a police raid in 2016.Cadigan said they were looking for a suspect in an assault that occurred in central St. John's on Sunday evening.He said a 42-year-old man had previously been arrested and held to appear in court, charged with assault causing bodily harm, and assault with a weapon.The search for a second suspect brought police to 374 Empire Ave. on Monday morning.Cadigan said the RNC "contained" the home while officers spoke with people inside. About eight officers eventually entered the residence, but the suspect was not there.As of Monday afternoon, the search for the second suspect was ongoing.Read more from CBC Newfoundland and Labrador
Nunavut is entering the first full week of its "circuit-breaker lockdown" following a spike in COVID-19 cases over the weekend. There are 132 active cases across the territory as of Monday. Four new cases of COVID-19 were announced on Monday, three in Rankin Inlet, bringing that community's total to 18 and one in Whale Cove, bringing its total to 16 cases. The announcement came as Premier Joe Savikataaq and Chief Public Health Officer Dr. Michael Patterson gave the territory's first update of the week Monday morning, along with Minister of Health Lorne Kusugak .Missed the government update? Watch it here:There are no new cases in Arviat, though Patterson warned last week that daily case announcement can be more reflective of testing turnaround than the actual spread of the virus in the community. "Because of the timing of testing, the variability of plane flights, the numbers will go up and down from day to day regardless of what's happening in the community," Patterson said. "Say they're weather-delayed and we may not be able to get a number of samples until the next day. So it could literally go from zero one day to a large number the next day." On Monday, Patterson said health teams are still finding evidence of community transmission in Arviat, but they not sure if it's residual or ongoing transmission.There are 98 cases in Arviat. Two previous cases in Sanikiluaq have since recovered.All active cases are currently in isolation and doing well with mild to moderate symptoms, according to a news release from the territory Monday.Patterson said health teams are "working around the clock" to trace, test, isolate and contain the spread and that it would take some time to see if the current public health measures are working. How exactly COVID-19 entered Nunavut is still unknown, Patterson said, as the government's focus continues to be community support. An environmental health officer from Nunavut was flown to Winnipeg to inspect its isolation hubs, while another team is reviewing the policies associated with Nunavut's southern isolation hubs. A public health physician is looking at links that could have led to infection with Manitoba Public Health also involved in the the review, Patterson said. He expects new cases to continue to be announced, but says if new case numbers continue be fewer, he said to take that as evidence, health measures are succeeding in breaking transmission. Sanikiluaq outbreak status While Sanikiluaq's two cases have recovered, the outbreak in the community is not yet over, Patterson said. That will happen 28 days after the last infected person's 10 days of infection."There's a worldwide accepted standard that from the time somebody starts symptoms — or the date that a swab was collected — 10 days later they're no longer infectious," Patterson said.Sanikiluaq's second case was identified on Nov. 8. Once contact tracers are no longer finding new cases and all contacts with cases are in isolation with their test results known, Patterson says contact tracing will be paused. He reassured Nunavummiut that experienced contract tracers are good at getting the information they need about a person's contacts while maintaining confidentiality. Isolation remindersPatterson took the opportunity of Monday's press conference to speak about the importance of following isolation measures, especially for those who have been identified as contacts of positive COVID-19 cases. "People can still spread the virus when they don't have symptoms, this is what we mean when we say asymptomatic transmission, some people can spread the virus up to two days before developing symptoms, and some can spread the virus for 10 days without ever developing symptoms," Patterson said. He explained that by the time people know they are sick, they will have infected many more, who will also spread the virus.The government has received general complaints that some people are not following isolation rules, but since there have been no specific complaints with names and dates, there have been no fines issued for violating public health orders, Patterson said. Someone who is asked to isolate should keep to their own space in a house as much as possible and high traffic areas in the house should be disinfected regularly. They are not supposed to go to the grocery store, instead they should ask friends and family to pick up supplies and drop them off, he said. When asked about fears related to dropping off groceries to those in isolation and how those without credit cards can order food, Savikataaq said the hamlet of Arviat is dropping off food hampers to affected families. The territorial government is working with the Department of Family Services, to makes sure food is delivered and those on income support can have their cases evaluated over the phone, Savikataaq said. In a Saturday news release, Savikataaq said he knows the number of COVID-19 cases in Nunavut seem scary, "but it is not a reason to panic.""We will continue to see dips and rises in our case numbers for some time," he said. On Friday, the premier repeated his call for Nunavummiut to stay focused on containment efforts, including wearing masks and not socializing with people outside one's household. "This virus does not care how hard we're working or how bored or tired we are," he said in a Friday afternoon update."We do not get to relax for a single moment with what we're doing. Please do not give it a chance to take more of a hold in any of our communities."